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Hell yeah, I'm here!!!

SIGGRAPH. Computer graphics, techniques. Los Angeles. The place where all the people ride skateboards and the stories are made. But then you have all this computer graphics geeks, you may not be aware but they’ve been around for some time, they wanted to tell stories, to create emotions, to give people meaningful experiences.

Los Angeles Convention Center was the place to be, we come from different places around the globe, but for one week this place was our homeland. “You are Here” can be read on a panel, I couldn’t figure out why I haven’t been here before, you realize that you have a long road to walk, you need to start getting that engineering thinking with the careful sight of an artist. Animation, simualtion, videogames, but in the end it’s all about the people behind the pixels.

Autodesk, NVIDIA, Epic, Pixar, Industrial Light & Magic, Vicon, you cannot decide where to go first and watch how this marvelous industry is changing the way we live every moment. I’m still a student on my senior year of college, and there is a lot of work to do, but now I’m very convinced that this is the right place to be, there is no other place where you can learn by first hand how is it to be immersed inside the computer graphics scene.

Maybe all those videogames or VFX are just polygons popping out from your screen, pixels bombing your head, but, believe me, all of those are not made from hi res textures nor the most advance rendering techniques. Those are made from the same thing which the dreams are made of.

It’s a Hollywood summer, you end up walking feeling the wind in your hair on a Santa Monica dock, and buying Dunnies and Tokidoki stuff on Melrose street while girls are crossing the streets, and that is the best memory of Los Angeles that I have.


¿Está claro?

¿Te sabes esta historia?

Había una vez un gato atigrado. El gato murió un millón de veces y renació otro millón de veces. Tuvo varios dueños, pero no quería a ninguno. El gato no le temía a la muerte y un día el gato fue liberado, era un gato callejero. Él conoció a una gata y los dos gatos vivieron felices juntos. Los años pasaron y la gata murió de vejez. El gato lloró un millón de veces y después murió. No volvió a revivir…

Odio esa historia.

Meifa regresó a su casa y continuó su vida. sus recuerdos estaban guardados en su corazón. Prometí volver a visitarla al planeta de fuego en donde vive tranquila, donde la vida puede seguir sin que alguien la interrumpa, sin que el crimen la amenace. Aún no piensa en el amor, ese día está lejos.
Y mientras tanto nosotros seguimos navegando buscando nuestra propia paz.

See you space cowgirl… Somewhere, someday.

To let go of the fear and anger which imprisons my heart,
To relinquish all childish expectations and live joyfully in the world as it is —
not as I wish or imagine it to be,
To be free of the always craven and ever-craving ego,
To be released from the endless hungers of the body,
To see God in others,
To see God in everything,
To die without death and merge my consciousness into the
cosmic sea of bliss from which I came,
To crank out two sitcoms a week that can compete
with a deaf chick dancing her ass off…
This is my soul’s journey.

Chuck Lorre, Vanity Card Number 196

ヱヴァンゲリヲン新劇場版: 破


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“In school tests, there’s only one answer for each question, and you might get zero or half points if you’re wrong. But in the real world, things aren’t so black and white, so think about things on your own and express them in words or pictures. That’s how you communicate with people. That’s so important.”

– Hideaki Anno.

4. What’s the greatest piece of advice you’ve ever been given?
Probably to have the courage to fail, and to keep trying even when things aren’t working out and the result seems hopeless. The best artists are the ones who never give up

Escape Studios on an interview with Alex Williams, the new animation tutor in ES.

High Violet

Brooklyn, Nueva York. Garabatos, muchos te amo escritos a medias. Sentimientos que se cuelgan de un hilo a punto de romperse. Un pretexto más para acordarme de cuando nada más importaba. Un sillón que apunta hacía la ventana, ventana que apunta hacía un viento de domingo por la tarde, creo que nos alcanza para un trago más de whisky.

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California, I'm coming home

Con una duración total de 35 minutos y 41 segundos es un disco intimista cuyo tono parece el de una confesión. Toda la tristeza por la que atravesaba la compositora, además de sus debilidades fueron retratadas en este disco fundamental de los 70. Blue es un disco que habla de las relaciones, amores inolvidables y derrotas del corazón.